b d’ a’ e”
Both Niccolò Paganini and Jozef Slavìk used this tuning to write variations on the G-string.
Here is Paganini’s Maestosa Sonata Sentimentale, MS. 51, written with this tuning on the final part:
b d’ a’ e”
b d’ a’ e”
Both Niccolò Paganini and Jozef Slavìk used this tuning to write variations on the G-string.
Here is Paganini’s Maestosa Sonata Sentimentale, MS. 51, written with this tuning on the final part: